Clive barker gay
Clive Barker is a famous horror writer and filmmaker. He is probably optimal known for writing and directing the Hellraiser films, featuring his iconic traits Pinhead. He has written and directed other films as well, such as Lord of Illusions and Nightbreed, and other works of his have been adapted to film by others, such as his short story “The Forbidden,” which was made into the film Candyman. In addition to his perform in Hollywood, he is the best-selling, award-winning storyteller of many novels, such as The Damnation Game,Weaveworld,Imajica,The Thief of Always, and Sacrament. His most recent book is a recent Harry DʼAmour/Pinhead tale, The Scarlet Gospels.
This interview first appeared on Wired.com’s The Geek’s Guide to the Galaxy podcast, which is hosted by David Barr Kirtley and produced by John Joseph Adams. Call on geeksguideshow.com to listen to the interview or other episodes.
Your character Pinhead first appeared in a novella called The Hellbound Heart. You want to say us about that?
That started the whole thing off, many years ago. Pinhead, or the character called Pinhead by some, was a minor character in that book. But peop
Sacrament – 4 out of 5 stars
“I am a man, and men are animals who tell stories. This is a gift from God, who spoke our species into being, but left the end of our story untold. That mystery is troubling to us. How could it be otherwise? Without the terminal part, we think, how are we to generate sense of all that went before: which is to say, our lives?
So we make stories of our own, in fevered and envious imitation of our Maker, hoping that we’ll tell, by chance, what God left untold. And finishing our tale, come to understand why we were born.” Sacrament – Clive Barker
Well, I am back to the grindstone for my second book review, and it is another one from my BookRiot Read Harder Challenge. This time I am covering off the ‘book by or about someone who identifies as LGBTQ’ category – Sacrament by Clive Barker.
This is also the fourth book I have read this year (my GoodReads challenge is to read seventy).
A rapid reminder: my 5 actor ranking system is as follows:
5 stars – Brilliant. I would recommend this to everyone, and it is very likely I will re-read it in the future (possibly many times).
4 stars – Very excellent. Would happily
Clive on Sacrament
It had not explicitly forbidden Will to follow it, which was all the invitation he needed. He went in cautious pursuit of it, like a spawning fish climbing waters that would have dashed him to death without the Nilotic ahead of him to breast the flow. Even so, he posthaste understood the truth in its warnings. The deeper they ventured the more it seemed he was treading not among the echoes of the nature, but in the earth itself, his soul a thread of bliss passing into its mysteries.
He lay with a pack of panting dogs on a hill overlooking plains where antelope grazed. He marched with ants, and laboured in the rigours of the nest, filing eggs. He danced the mating dance of the bower bird, and slept on a warm rock with his lizard kin. He was a cloud. He was the shadow of a cloud. He was the moon that cast the shadow of a cloud. He was a blind fish; he was a shoal; he was a whale; he was the sea. He was the lord of all he surveyed. He was a worm in the dung of a kite. He did not grieve, knowing his animation was a day lengthy, or an hour. He did not wonder who made him. He did not wish to be other. He did not pray. He did not hope. He only was, and was, and was, and that
For some of us, monsters are welcome opportunities to be different, to perform in anti-normal ways, hideous and lovely at the matching time… – Clive Barker 1
What is it that makes a film queer? Is it the overall content, that degree of camp in the actor’s portrayals, the sexual orientation of the director, or the message that it carries? Sometimes a film is unabashedly and undeniably lgbtq+, and other times it may accept a more rigorous study to locate the elements that identify it as such. Clive Barker’s debut feature Hellraiser (1987) is viewed by many as a landmark film in the horror genre, but is seldom included in the canon of queer cinema. As Richard Dyer points out in The Culture of Queers , “We will miss much woman loving woman and gay cultural production if we restrict ourselves to what fits in with our possess codes and conventions of lesbian/gay culture.” 2
Clive Barker is an openly queer author, painter and film director, but while elements of his novels are celebrated for their queerness, it often seems that his films are regarded not as queer; they are simply films that come about to be made by a same-sex attracted man. Even in Harry M. Benshoff’s somewhat exhaustive examine M As promised in our last post, we’re going to observe this Pride month focusing our posts around people in the LGBTQA+ people who’ve impacted the three genres we love: Horror, Science Fiction, and Fantasy. When we began to ponder on an author to choose for our horror-themed we both agreed that the first name to come to intellect was none other than Clive Barker. With iconic and morbidly twisted classics of the genre in his arsenal, Barker was an obvious and well-deserved choice. If titles fond The Hellbound Heart or The Forbidden don’t ring any bells, their clip adaptations probably will: Hellraiser and Candyman. Author, playwright, artist, and film director, there is no arguing that Barker is a man of many talents. Upon the initial discharge of Books of Blood in the mid-eighties, genre heavyweight Stephen King was quoted as saying, “I have seen the future of horror and his name is Clive Barker.” Barker, who explains that his sexual orientation was never something he kept a secret, officially came out as gay to the public in the 90’s around the time he was publishing his first novel featuring a gay protagonist,